Visual Analysis: Stele of Naram-Sin The Stele of Naram-Sin Portrays a man who seems to be idolized by an army of people. This gives of the idea that he is a victorious ruler. The Stele is pretty much self explanatory by showing the ruler on top of the piece and standing on individuals that I believe are enemies. This obviously labels him as a victorious ruler.He also seems to be wielding a.
In this essay I am going to compare and contrast the Narmer palette to the victory stele of Naram-sin. These are both profound artifacts with many similarities as well as some key differences that I will examine in hopes of better understanding the ideas behind the creation of these artifacts as well as the messages they are trying to instill in us as viewers.Start studying Victory Stele of Naram-Sin. Learn vocabulary, terms, and more with flashcards, games, and other study tools.Naram-Sin is shown as a god-like figure on the stele. Naram-Sin is wearing the horned helmet showing his god-like status, and authority. He is supported by his ordered troops and feared by his defeated enemies. His face is that of lion or bull, signifying his powers.
The Victory Stele of Naram-Sin: A Mesopotamian Rocket Ship? The victory stele of Naram-Sin (Figure 1) has become the subject of misguided speculation. Following internet speculations, television shows like Ancient Aliens have promoted the idea that the “cone-shaped” object in the stele is an ancient rocket ship piloted by the extraterrestrial god, Naram-Sin.
Victory Stele of Naram-Sin, Akkadian, pink limestone, 2254-2218 B.C.E. (Louvre, Paris) This monument depicts the Akkadian victory over the Lullubi Mountain people. In the 12th century B.C.E., 1,000 years after it was originally made, the Elamite king, Shutruk-Nahhunte, attacked Babylon and, according to his later inscription, the stele was taken to Susa in what is now Iran. A stele is a.
Victory Stele of Naram-Sin is like any other art, it tells us a story. Naram-Sin conquered the people of the Iranian mountains and this artifact shows us a picture of him leading his men up the wooded mountain. His men follow him in an orderly fashion, which shows us his organization of his troops.
A great example of ancient self-gratification is the victory stele that was built in commemoration of Naram-Sin's military triumph over the Lullubi Mountain people of western Iran.
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Scholars have speculated on the possible meanings of the Victory Stele of Naram-Sin; the post “Intro to Ancient Near East: Akkad” focuses on Akkad and the Victory Stele of Naram-Sin.In particular, the author writes about the stars on the stele and their symbolic significance.
Naram-Sin was a ruler of Akkadians in the Akkad territory from 2254 BCE to 2218 BCE. He was also the grandson of the founder of the Akkad Dynasty, and was also named the King of the Four Quarters, which translates to “Ruler of the World”. The Stele of Naram-Sin is a rather interesting piece of art due to what the piece of art stands for.
Talk:Victory Stele of Naram-Sin Jump to. The visual analysis is very strong, including the notes on the use of receding diagonals in the piece, but the grammar and usage are a bit uneven.. I have just modified one external link on Victory Stele of Naram-Sin. Please take a moment to review my edit.
Palette of King Narmer. This is the currently selected item. Seated Scribe. The Great Pyramids of Giza. Pyramid of Khufu. Pyramid of Khafre and the Great Sphinx. Pyramid of Menkaure. King Menkaure (Mycerinus) and queen. Temple of Amun-Re and the Hypostyle Hall, Karnak.
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Naram-Sin was the grandson of the great King Sargon of Akkad, and more importantly - he was named after Sin — the Akkadians' moon god. Naram-Sin took the Akkadian thrown in 2254BC and reigned until 2218 BC, a time of great prosperity. The Akkadian Empire reached its zenith, and Naram-Sin took the credit — becoming the first Mesopotamian.
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